How was the contact between the teacher and the group?
- Optimal
- Absolutely personal, empathic, expedient
- Very good, great atmosphere; the lecturer gave individual lessons; he was able to respond to the needs of individuals; the questions of the group were answered as well
- Very flexible, good contact, pleasant
- Optimal responding to individuals and again and again involving the whole group
- Good, flexible
Was there time to explore?
- Yes, was also very necessary
- Yes, during the 3 day seminar individual trying out was possible in the evening and in the morning
- Researching/sensing was the main content of the lesson
How was the information conveyed?
- Very clear and understandable
- Very clear, well explained, vividly, questions could all be clarified
- Very clear
- Very educational
- Very pleasant, practical and theoretical
Was there time to digest and reflect?
- Yes, since the seminar was spread over 3 days, we could try the suggestions while practising in the practice room
- Yes, although this time only comes after the seminar, in everyday life; therefore a '2nd round' after a few weeks would be great
Has the seminar changed anything?
- My approach to difficult passages of a piece
- The whole handling of the instrument and the 'incorporation'
- Yes, several things...
- My 'practice behavior', motivation
- It changes the process of practising
- Yes, my practising patterns
What did you learn? What did you experience?
- How I can develop a good body and sound feeling
- Many suggestions; I look forward to experimenting
- More confidence in my sensations, my body feeling; courage to focus on implicit-procedural learning rather than on explicit-analytical approach (“This exercise another 20 times..., think of...”)
- The workshop gives good inspiration to break free from the usual everyday practice
- Flow, don't practise! Have fun to play and deal well with your body
- A lot, it changes the entire practising process
How does what you learned support you in your studies?
- I will enhance even more the feel-goodness of my body while playing; this can increase the quality of playing
- It improves effectiveness and fun when practising
- Very, especially in instrumental lessons
- Desire for trying out
- Fundamentally
How does it enrich you, your person, your creativity?
- New motivation
- Opens up resources, playful exploration with pleasure and humor while practising
- Sensitizes and enriches sensory experiences in daily life
- The seminar opens up ways to know yourself better and to express yourself as an artist
- I have fun trying out single notes, achieving my perfect sound and playing with it
- I got a lot more desire to practice and many ideas to try something out with my music
Other comments
- Other lecturers should also attend this seminar
- Perhaps the individual lessons should be filmed so that the students get a more objective picture of their own practice
- Extremely valuable days that I have been looking forward to for a long time and that will deeply influence me in my life as a musician
- Should definitely be repeated